Khajuraho 

 The sculpture in the sixth group are of the intercourse of men and animals. These sculpture are located in the parikrama path of Vishwanath temple and placed on the edge of the frescoes facing the temple which is very thin. There are some idols in 'Kandariya Mahadev' as well as 'Lakshman temple', animals are donkey, mare, dog, deer and bear are not satisfied. In some places (especially in the temple of Orissa), it is argued that these idols were made to avoid damage from lightning or to avoid being seen. Neither of these arguments is convincing to modern man. ) Considering the large number of decorative sculptures and the pains involved in creating the finer features in them, one can be sure that there must be something special behind it.

Another argument is even more incongruous, which is that people should come to the temple, so these idols are made to attract the common people. Seeing these idols in some dark place, the common man will be attracted by the smell of flowers, the sound of bells and then turn. Some logic doesn't make sense. Those who do not have hair on their heads, there are Digambar idols. It is of Digambara Jain monks, and the sculpture is intended to evoke a disdain for personal ornamentation; The explanation that this has nothing to do with his literature is somewhat plausible. Sometimes the ornamental sculpture of Khajuraho has also been interpreted as the union of the soul with the divine. This explanation fits with the Upanishad religious tenets of Hinduism and the reasons behind the creation of the sculpture can be inferred. However, the Khajuraho sculptures are a mystery, and logic is not enough. But whatever it is, the Khajuraho sculptures can be studied in terms of sociology, theology, literature and aesthetics.